![]() Claypool's bass is one of the stars of the show, adding a welcome low-end groove that Lennon's own music sometimes lacks. Performing, producing, and engineering the entire affair themselves, Claypool and Lennon switch off vocal duties while allowing their instruments to wander through space. With meandering guitar, elastic bass, trippy flourishes, and some of the tightest musicianship this side of the galaxy, Monolith reveals a new dimension. Based loosely on Buzz Aldrin's assertion that there is a rock purposely placed on Mars' "tater-shaped" moon, The Monolith of Phobos is a giddy trip into the galactic reaches of psych and prog. More focused than Primus and less precious than Lennon's solo output, the duo create kitchen-sink epics that rarely bore or allow for attention deficit. This project could have been an indulgent exercise in psychedelic excess, the result of two mad scientists misplacing merit upon a glorified jam session. Melding their eccentricities, the Delirium succeed in shaving down each artist's whimsies, reining them in and creating an exciting amalgam. Combining two significant rock pedigrees with a whole lot of weird, Primus' Les Claypool and Sean Lennon joined forces to form the Claypool Lennon Delirium.
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